To Reach The Green Light At The End Of The Pier

FOR AS LONG AS IT TAKES: "We are saving ourselves through the words," says Eleanor, the leading lady of a novel-in-progress. This exploration into the creative process -- which includes plenty of distractions/tangents /thoughts & rants by Eleanor, her Biographer, and selected guest artists -- will continue until Eleanor is certain her story is "right." (But we dare not jump ahead of ourselves.)

There will be the occasional typo (as Eleanor points out), and much of this is intended to be "original draft" -- what comes out of our mouths (heads) first, and then set down in that order. Not all of it will be included in the novel, but all of it is happening in real time.

The Postings:


Monday, February 20, 2012

Eleanor's Biographer Says Goodbye: "I Cried And I Cried"


When I held her in my arms that one last time, or rather, when I placed my hands on her shoulders, and we looked at one another, and I said, Would you let me take a picture of you, because this is the last chance I may ever have to take a picture of you -- when I held her, when I let go to step back for the picture, and when I tried to hold my hand steady and frame her properly, I did not want my eyes to well up though hers were already, and I did not want anything but to capture this moment, because it was both of our hearts beating. And both of us were not saying a word but holding our breaths -- when I held her in my arms that one last time, or rather, my hands on her shoulders, and I took my picture, and she tried to smile because I finally breathed (exhaled and took a breath) and said, Please, give me a little smile, please, and she tried to smile (really, she did try), and I pushed the tiny button on the camera and I was steady and she was patient and when it was all done and over I forget now who opened the door first.

I wish(ed) there was one sentence that could sum up a life done with and a life about to begin, and both of us scared, and both of our hearts broken. I wish(ed) there was one sentence that might have begun to mean, You know, let's rewind this tape a little bit, let's remember a little bit -- just a little bit.

Were we moving forward too quickly?

I wish(ed) there was one sentence that could sum up the whole thing, you see, because my thoughts were weeping but my heart had already started to heal. Hearts are like that. They heal. They heal quickly. Hearts make you forget. Even broken hearts.

I wish(ed) I could look at the picture I took of her. But I buried it in the garden.

And I went to the store and I bought packets of seeds -- flowers, all varieties of flowers. I didn't read the instructions, so I had no idea whether any of them would bloom. I took them to the garden where the hearts were and opened each packet carefully and sprinkled them over the dirt. I sprinkled Canterbury Bells, and Morning Glory, and Sunflower (Mammoth and Chianti Hybrid), and Moonflower, and Convolvulus (Blue Enchantment).

When I sprinkled the Sunflower seeds, the Chianti Hybrid, I noticed that the packet said these were pollenless. I am no scientist, but to me, pollenless meant that our hearts could never be duplicated or born again. Again, I am no scientist, so maybe I have it all wrong. But I thought, if these sunflowers decided to grow, both our hearts would be protected in that last moment, in the picture, or even better, with the good moments we kept to ourselves when we could not speak of such things.

I thought about digging up the picture. But if I looked, it would ruin everything. Every myth we had created together. Every true experience we had made. I'm not even sure to what extent there would be ruin, so I dared not risk looking.

Instead, I cried and I cried, but I cried where nobody could see me, and in particular -- where there were no mirrors.

Wednesday, February 8, 2012

Eleanor Says Goodbye To Her Biographer, Part One


I remember holding my Biographer's hand when I knew I had to let go, that I had to be free, or let him be free, and I was so selfish, because I wanted to hold on forever.

I remember how warm his hand was, when I was holding it, and I was afraid that if I let go, his hand would grow cold and stiff and I would lose him forever.

I remember placing my head on his chest to listen for his heartbeat and not hearing anything, but his chest was still warm, so his heart had to be inside there, somewhere deep inside there, even if I could not find it.

I touched his face, his forehead, his hair. If this was earlier in my life, he would not have allowed me to do this, but this was his time to let go, and my time to let go as well.

I did not want to leave him. I don't think he wanted me to leave him, either; at least, not right away, not right then -- not yet.

I held his hand and felt his fingers and then I switched hands when I grew tired, my own hands on his hand. I switched my hands so he would not grow cold. I wanted his warmth. I wanted to breathe in his warmth. I needed to feel it.

I wanted to feel his warmth all over me, to cover me like a blanket. And then he looked at me, and he did not blink his eyes once, but he looked at me, and slowly I knew that this was the moment we dared not speak of. Not exactly, at least. Not speak of in precise terms, I mean.

I followed the warmth, from the tips of his fingers to his knuckles to his wrist, to his elbow and shoulder. The cold was following both of us, so I had to keep going. This was a race. We were track stars. We were running a a marathon, away from the cold. We ran as fast as we could.

I put my head back on his chest and I tried to hear his heart beating -- I tried again! -- so much did I try to hear, to listen, to block out any other noises, even though we were surrounded by silence. But no matter how hard I tried, it was too distant.

And then the cold got closer to us, so I placed my hand on my Biographer's forehead, and that part of him was still warm, and I smiled because the cold had not won yet. It had not defeated us!

He looked at me. He kept looking at me.

He was telling me to go, or stay, or I don't know what he was telling me. There were no words. I was the words. I was all of his words. He gave me life. He gave me his life, so that I could live.

I tried to wipe a tear from his one of his eyes, but the tear had turned to glass, like a tiny marble.

I kissed the warmth on his forehead.

I held me close to him, because I could not hold him close to me, and I thought, how strange is this, how very strange this all is.

The cold came across us in waves, like a breeze almost except maybe more like it was snowing or something, but it was a dry snow. Everything was turning white.

I told my Biographer that I wasn't ready, that I would not leave him alone, ever. I told him, so he would hear me. I whispered in my Biographer's ear so he was sure to hear me. I told him this, over and over. I won't leave you alone.

*
My Biographer had told me that this time would come, for both of us. And it really wasn't so much that I was free now, but that I was next. That it was -- well -- I guess you could call it my turn.

The snowy white was beautiful because it was pure, but I shivered, and I made my promises.

ELEANOR says: "Please turn the page. Keep reading."

For more of Eleanor and her Biographer -- as well as the work of our many guest artists -- check out the older postings. "Everything is part of the process, and the process is the journey," Eleanor says.



"The Little Room," Olive Thomas In Background

"The Little Room," Olive Thomas In Background