Following The Green Light At Gatsby's Pier

"We are saving ourselves through the words," says Eleanor, the leading lady of this novel-in-progress. At Post No. 500, this exploration into the creative process -- which includes plenty of distractions/tangents /thoughts & rants by Eleanor, her Biographer and selected guest artists -- is complete. We aren't sure what happens after Post No. 500, and we dare not jump ahead of ourselves.

There will be the occasional typo (as Eleanor points out), and much of this is intended to be "original draft" -- what comes out of our mouths (heads) first, and then set down in that order. Not all of it will be included in the novel, but all of it is happening in real time.

The Postings:


Monday, July 12, 2010

You Want To Be Noticed, So Nobody Will Notice You


Eleanor says:

You want to be noticed in a very big way just so you can scream to the world so they won’t notice you anymore: “Stop looking at me! Let me be!” And then, you can fold up your chair, tuck it under your arm, and walk back inside, where nobody can see you and your life can become anonymous again. As if nothing at all had happened. You aren’t special. You aren’t old enough to be special. Not special enough for everybody to be hounding you like this, asking you questions. You didn’t even do anything. Maybe this is what being famous feels like, but you aren’t famous. Not for being good, and you’re not notorious for any bad qualities that have manifested themselves beyond your person. In other words, you don’t rob banks, as if somebody your age really robs banks, or, maybe this is more realistic for a pre-bank-robbing notorious kind of person. You don’t throw rocks from atop an overpass at passing cars for thrills. You aren’t anyone but a ten-year-old kid. And the more you don’t say anything, the more they ask. And they keep on asking, even after you’re standing there, tears overflowing your tiny eyes, your head shaking, your little hands knotted up in tight fists. That’s when you figure it all out on your own. That the best way to get people to leave you alone is to have them talk about you, but not to you. So you’ve figured it out, that you have to make yourself noticed – not just noticed, actually, but have people stop what they’re doing entirely, to have all of their senses focused on you, and then after that, so they call one another up on the phone. People in five other houses can see you in your backyard. They’ll watch. It’s only natural to look out the kitchen window. Dinner time. You know they’re watching. So you walk outside with a lawn chair, and you go to the very back of your yard, and you sit down, long enough that anybody watching is going to be wondering why you’re sitting there, what is he doing? And that’s the very moment you stand up and turn around and around and around in a circle, and scream, scream to them, and to the rest of the world you can’t see, with all of the lung power you can muster: “Stop looking at me!” And now, go inside to hide. The shadows are friendly. But even inside, even in the shadows, you still quiver, you’re still shaking, you’re still screaming, though in a whisper, “Let me be. Please, let me be.” 

*
"Writing is making sense of life. You work your whole life and perhaps you've made sense of one small area."
-- Nadine Gordimer

4 comments:

TLM0000 said...

I read this about four times before I caught up to it. Now I'm interested in the thought of people talking about someone instead of too someone. Makes me wonder.

Geoff Schutt said...

Thank you for the insight, Tracy. I hadn't thought of this in quite that aspect, but of course, Eleanor tells me I should have caught on right away. She claims that any time she wants to be the center of attention, or have somebody see her, she turns invisible. When she's invisible, suddenly she becomes "known."

Dreamer said...

This reminds me of a boy that I knew in my childhood. The aspect of people talking ABOUT someone and not too someone. I was living in Africa with my parents and I was either in fourth or fifth grade. One of my classmates was Robbie I will always remember his full name. I always felt that he was shy and sensitive and we were friends. Everyone seemed to pick on him and I remember I always seem to defend him. I think other children at school were always picking on him. Then one day my mother and me were at his home and we were all in the living room. I am sure that Robbie was there. His mom was talking to my mother very openly about Robbie, telling her that she had taken him to so many doctors and all of them told her Robbie was retarded. I remember feeling angry that she was saying all of this in front of Robbie and myself. I immediately disliked her and always defended Robbie more vehemently and told my mother he wasn't retarded. Either way years later in the US we had both grown up and I attended a function where Robbie was and he was so withdrawn he looked locked inside himself and as much like a recluse that one can look with overgrown facial hair and big black somber eyes. I never got to speak to him but I felt with out a doubt that another persons words can become true in the mind of boy when someone talks about him to others and never to him. I left feeling helpless and saddened. SO maybe either way people talking about someone instead of too someone creates an illusion that sometimes becomes real whether is was or not. I'm in a weird space this night. thanks for reading my words.

signed...bkm said...

Geoff, here is one for you add "E"

bkm

http://signedbkm.blogspot.com/2010/07/ziegfeld-and-zelda.html

ELEANOR says: "Please turn the page. Keep reading."

For more of Eleanor and her Biographer -- as well as the work of our many guest artists -- check out the older postings. "Everything is part of the process, and the process is the journey," Eleanor says.



"The Little Room," Olive Thomas In Background

"The Little Room," Olive Thomas In Background